Friday, July 31, 2020
Thursday, July 09, 2020
|"Keep Listening" ink & watercolor|
I created these images after my daughter and I attended peaceful protests against systemic racism. We can each listen intently, drop our defenses, and listen some more, then find our own way to make a difference, small or large. I have so much to learn and continue to work at it each day. I want my middle-school students to live in a world where the color of their skin does not put them in danger.
Each of these two limited-edition prints is 8 x 11 inches, signed and numbered, and shipped unframed. 100% of your purchase price will be donated to one of two funds, the DJ Henry Dream Fund, or Campaign Zero. So, if you were considering making a donation to a worthwhile cause, here is a way to make your contribution while receiving a limited edition signed print in return.
The prints are available on my web site, jodyregan.com.
Thank you for looking, and you know I love your comments. Please continue to be kind.
Sunday, May 24, 2020
During this time of quarantine, I am reminiscing about the joy of sitting in the city, drawing people as they come and go, with the backdrop of buildings, carving out their shapes against the sky. The city is fascinating to me. Often, while looking up at the profile of a building against the sky, I find a carved piece of moulding, a corbel, a detail, in place for a century or more. I revere these artists gone by who put details in place only to be seen by the few who happen to look in that direction, or who are replicating a contour with pen on paper. This is joy.
Many of these drawings are now on my website under the "sketchbook" category. I am donating a portion of each sale to the Elizabeth Peabody House in Somerville, a 125-year old community organization serving via its food pantry and pre-school.
As always, I thank you for looking. You know I love your comments. Stay well, and be kind.
|"Room with a View" Old Town Portland|
Friday, March 20, 2020
The Girls Just Wanna Paint theme for February was "shadow". This is my take on the theme, and image of the New England Aquarium's Myrtle, grande dame of the big tank. She cast a beautiful shadow on the rocks and plants below.
You can see my process photos below. I mixed a ground of neutralized Prussian Blue, Ultramarine an some Cad Red Light, covered the board, evened out with a paper towel. Then I used a clean brush and clean solvent to wipe away all the light areas. So, I did my initial drawing by wiping away the ground. If I make an error in drawing, I could just brush over with the ground color and make the needed correction in drawing. Before any painting beyond the ground was done, the painting was in place as you can see here in the first process photo. Most of my work then went into the dark areas, where I adjusted
the temperature and hue. The benefit of this approach is that the values in the darks are already matched. Each passage of color I put down was designed to match the values already in place. I did not touch any of the light areas until the very end.
Thanks for looking. Feel free to ask me any questions about this block-in method.
You can see a recent video post on my Instagram which shows the beginning stages of this process in a still life.
A always, thank you for looking. I appreciate your thoughts.
By the way, I named this painting after one of my favorite books as a child "Down and Away Below" by Edwin Rols. Great story about a child, and his ability to dig deep, find bravery, and save his community.
Saturday, February 22, 2020
|"Lunch Counter" at Bloomy Rind, Hingham Square|
|"Perfect Vacation Day" at Newsfeed Cafe, Boston Public Library|
|"Dinner Hour" ink & watercolor at El Sarape in Braintree|
|"Birthday Gathering" pen & ink at Uva Wine Bar in Plymouth|
|"Pub Night" pen & ink at Costello's in Jamaica Plain|
|"Rush Hour" pen & ink at El Sarape in Braintree|
We spent this week's vacation visiting friends and family while staying in town. I love drawing in a coffee shop or a restaurant as the crowd comes and goes. Here are several drawings from this week. I used watercolor or Inktense pencils as watercolor later, except for the drawing of the Newsfeed Cafe in the Boston Public Library where a friend and I spent the day listening to the Boston Public Radio show while drawing and painting.
These are wonderful days for me. As always, thank you for looking.
Saturday, November 30, 2019
The Girls Just Wanna Paint theme for this month was vintage. Our vintage home is filled with vintage pieces... art, dishes, books, furnishings, etc. Interestingly, I had a very hard time figuring out where to direct my vintage attentions. I have always loved faceted silver, and chose this silver pitcher with beaded rim and the crystal jam jar with faceted silver top and spoon. I picked up some non-vintage raspberry jam as a good complement to the cool silver hues. The aqua cloth is a remnant from the home where I grew up. My mother had her mother's loveseat recovered in this beautifully textured fabric. Mom had the piece in her studio and used it as a backdrop for her own still life setups. When I hold it, I feel the generations. It was the right choice for a vintage-themed painting.
Here are some process photos. I tinted the canvas with a cad red light/cad orange mix, knowing that most of the still life was cool, leaving the opportunity for some warm to peek through. I then began with the large shapes, adding the highlight early on, knowing I would need to back all other values down at least a half value to let the highlight glow. I warmed the jam under the light, and cooled it in shadow. Then, made a late pass, remembering that the glass needs to show what is in it, on it, and through it.
As always, thank you for looking, and you know I love your comments.
Sunday, November 17, 2019
This past week, I was asked to paint a demo for a local art club. It was an interesting afternoon. I did not know the painting experience of the audience so decided to demonstrate a method I use sometimes to ensure that I am matching my values. I set up a red and blue still life with a strong light to dark pattern, and stood on the shadow side. I then mixed a neutral red/blue by adding some yellow ochre, covering the entire painting surface with wash consistency, value approximately 3.5 on a 5-value scale. Then I used a clean brush and thinner to wipe out all the light areas. I then painted only into the darks for most of the demo.
Using this method, there is no need to carefully match values as you place color side by side against other passages of color against a white backdrop while you try to lose edges. The value passage is there... and you match as you paint into it. It is easy to drop the color into the value, adjusting slightly for reflected light. It allows me to concentrate on temperature and hue shifts rather than value. I continued to paint into the darks until the last fifteen minutes at which time I added a few light notes. Overall, I talked and painted for about an hour and a half. Very interesting group, lots of good questions, and a nice afternoon.
The benefits of this approach: - you have lost your edges right away in both the light and shadow areas before any color is applied.
- the ground is neutral so any color applied against it reads as rich and powerful.
- When you apply the wiping out technique carefully, your form is established before you apply any paint beyond the ground.
When I blogged about this approach six years ago, I added a link to the Surfaris classic surf song "Wipeout". Here it is again. Please enjoy this taste of summer... as we approach winter in New England.